Archive for the Category »Web Design «

Design Does Matter

The idea that good design can improve how people perceive your business has long been a part of a designer’s sales tools. They try to convince you that by improving your image, maybe creating a new logo or changing the way you communicate with your customers you can somehow improve sales and improve your bottom line. But are they right?

Over the years many companies have been sceptical about these claims because of a lack of concrete evidence. Designers struggle to back up their claims with written evidence and so this argument for good design often falls down at the first hurdle.

Companies fail to understand why they should invest time and money in improving their visual identity if there is no tangible result.

However, last year The Design Council released the results of a groundbreaking study on the link between the use of design and financial performance. The study published in March 2004 finally recognised the direct relationship between effective use of design and financial performance.

The study looked at 166 design-led UK quoted companies over a period of ten years from 1994 to 2003. A group of 63 companies were recognised as effective users of design. This was based on the fact that they consistently appeared in the listings at various design award schemes.

The study reveals these 63 companies outperformed both the FTSE All Share and FTSE 100 indices by around 200% between 1994 and 2003.

The Design Council is a professional body which supports the work of the UK design industry. It works to demonstrate and promote the vital role of design within business and the wider UK economy.

A recent study by the Design Council, Design in Britain 2004-05, based on an annual business survey of 1,500 companies of all sizes and sectors, shows companies using design to innovate and stand out are growing faster than their competitors are.

According to the in-depth research, a third of the UK’s fastest growing companies see design as integral to their business, while only 11 per cent of businesses with a decreasing turnover have this view.

The figures confirm the impact of design across sales, profits, quality, share price, market share and competitiveness.

Web Design Work

I get the occasional web design lead from my website. I wanted to find a company I could pass these onto. So I put an ad on a freelance site. It specified the programming qualifications needed, stated that the successful candidate should have good English, and was for companies only.

The replies I got were enlightening. So much so, I made a list of things applicants did wrong. Here it is.

I should point out I was initially prepared to give everyone a fair go. After the first twenty-odd emails, my attitude changed. I was looking for reasons to delete applicants. I only needed one successful one; with 100+ replies it was getting to be a headache, so I decided a brutal approach was needed.

1. Failed to read the spec.

Many applicants couldn’t write properly in the English language. Many were individuals only. Result: instant deletion.

2. Failed to address the spec’s criteria.

Applicants bragged about how great they were. Many copy-and-pasted standard marketing guff about ‘solutions’ and ‘partnerships’ into their emails.

To engage anyone’s interest about a proposal you need to talk less about yourself and more about the benefits to *them* of using you. One of the first things I learnt about applying for jobs is you need to show how you meet the criteria in the job description; see if you can find the employer’s wavelength.

3. Lots of jargon.

You quickly tune this out. Anyone dealing with web companies probably gets a lot of this. Applicants should talk to the client about *the client’s* site and *their* needs, and avoid techno-babble.

Write an application letter. Leave it for a while, then edit it. Brutally. Short punchy sentences, no guff. Talking convincingly about how you can make the client money would be an attention-getter.

4a. ‘Coming soon’ client-listing pages.

You say you’ve done work for lots of clients, then put up a ‘coming soon’ sign on the web page where your client list is supposed to be. Hmmmm.

4b. ‘Under construction’ pages on your company web site.

This looks bad; something you’d see on an amateur’s site. Another reason to bin your application.

4c. Only put up pictures of sites you’ve done, rather than links to the actual sites.

I’d have liked to see some working example sites. Pictures can be faked, and they don’t show background programming.

4e. No mention of your main web site URL.

Let us guess where your own site is (if you have one). It’s more fun! I tried guessing from the email address. After a while I didn’t bother.

4f. No hyperlinks at all.

Just a short email spiel saying “I am great designer, hire me”. Next!

5. Using Yahoo.com or Hotmail.com for your email address.

A pro designer shouldn’t use a freebie email address service. Basic web hosting costs $5 a month these days.

I can conceive that a web designer might use a freebie account for some special purpose, but your own domain name is a basic advert that goes out in each email you send.

6. Bad spelling and grammar.

Western civilisation is doomed, if using SMS jargon becomes the standard way to write to people. It doesn’t impress old frts lik me, fr strtrs Especially if you’re looking for work where good spelling and grammar are important.

7. Front-loading Flash designs.

I admit it, I don’t like Flash. I especially don’t like it when it loads slowly on my broadband connection. I suppose it might impress an ignorant client, who doesn’t know the economic consequences of having a Flash-heavy site.

8. Don’t phone the employer up.

Unless they say ‘canvassing will disqualify’, ‘phoning the employer is a good idea. Why? Because geeks are famously introverted and tongue-tied, supposedly. So if a web site designer can communicate clearly over the telephone, that, coupled with a good application, puts you streets ahead of the email-only applicant.

No need to jabber. A polite enquiry to establish contact will do. “Just checking you’ve got my CV”, that sort of thing.

9. Keep yourself mysterious.

Emails are impersonal. Anything that can establish you as a human being, a person, a potential ally and friend, is good. It’ll make you more memorable. No need to jump out of a giant cake, ‘though!

However, you have to fulfil all the other criteria as well. However great a guy you are, if you’re a Unix man and they want Windows, forget it.

10. Leaving unclear phone messages.

One chap left a phone message, in which he mentioned his site, twice, but not his ‘phone number. His pronunciation was bad, so I guess I’ll never know how good he was.

11. Too far away.

Most replies were from India, Ukraine, Romania etc. Anyone who was closer to home (the UK) stood out. I mention it simply as a winnowing criterion.

Also, I needed someone who could land contracts from UK residents; good English, written and oral, was important.

12. Give your rates per hour.

Forget that. You’re not a lawyer. Web design jobs can be clearly defined, in terms of time, work and software required. A definite price can be agreed on in advance. It’s called a contract. Otherwise, you leave the client open to escalating bills, and yourself to mission-creep.

13. Delay applying.

The first few applications were more scrutinised. After that, fatigue set in. After one hundred, only an applicant who seems a real prospect would be given more than five seconds’ scrutiny.

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Color And Web Design

Color is one of the most important but least understood elements of web design today. Whether they know it or not, visitors to a site respond to colors and other visual elements on the site on a psychological level. Color affects the emotion of the audience, and emotion drives decision-making. An intrigued visitor is more likely to engage in the goal of your site — whether it is meant to inform, entertain, or to sell products or services. If the colors are unsuitable, the eye will reject the site and your product may be rejected too, no matter how good it is.

A well-considered color scheme is frequently the difference between an okay web site and a great web site. It can also make a site unusable if the scheme used is too outrageous and hard on the eye.

Keep it Simple

A color palette that uses three or fewer overall colors contributes to the clarity of a web page. The reader will be able to find information quicker on a simple site versus a complex site that may make them feel frustrated and lost. Be consistent. Color each element (links and the menu items etc.) the same on each page so that your audience will instinctively know where to look for information on your page.

Use White Space!

This relates to the previous point of keeping it simple. There are a lot of sites with too much information cluttering up the screen. Your audience will have trouble searching for navigation and the information they need amongst a bunch of clutter. White space balances colors, lets the design breathe and can make a large site feel less complex. If a customer is not overwhelmed, they will stay at your site longer.

Know Your Audience

Designers have to know who the target audience is before choosing a color scheme. Before you begin your design, you should ask yourself what colors the audience would find compelling and right for your product.

Different colors evoke different emotions in different cultures. This is important to keep in mind on the web if your site has an international audience. For example, in China red symbolizes happiness and good luck, in India it symbolizes purity and in South Africa it symbolizes mourning. To complicate matters further, many colors have both positive and negative associations in the same culture. In North America, for example, black can symbolize death in some instances and formality in others.

Web Designers should also use different colors if their target audience is a specific gender or age. For example, bright, primary colors like red yellow and blue are great for kid’s sites, but if you are designing a site for an audience over fifty you may want to use desaturated, softer colors. Younger audiences also tolerate a black or dark background with lighter text better than an older audience.

Here are the meanings of a few basic colors:

Red -Energy, strength, passion, risk, fame, love, -top, take notice

Blue -Wisdom, protection, spiritual inspiration, calm, reassurance, gentleness, water, creativity,-Depth quality; large companies often use it for their logos.

Yellow -Sun, intelligence, logical imagination, social energy, cooperation, sunshine, joy, happiness, intellect, energy, cheerfulness

Green -Healing, monetary success, fertility, growth, personal goals, resurrection, renewal, youth, stability, freshness, nature-Plants and environmental awareness

Grey Security, reliability, intelligence, dignity, maturity, conservative, practical

Temperatures of Colors

Yes, colors have perceived temperatures! The perception of your site will be affected by your choice of warm or cool colors. Cool colors are water and sky colors like blue and purple; warm colors are on the opposite end of the color wheel: red, orange and yellow.
The Importance of Contrast

Contrast between colors on a web page can help draw attention to certain elements.

Contrast between text and its background is a necessity for legibility. For example, black text on a white background is better than light blue text on a yellow background.

Different elements on your web page (i.e. the menu and body of the page) should also contrast or they will start to blend together. Contrast helps your audience distinguish between the different points on your site and therefore helps them feel less frustrated and gives them a more enjoyable experience when they visit your site.